Jadakiss Calls New York Drill “The Worst Rap Genre of All Time”

Hip-hop legend Jadakiss recently made waves by criticizing New York’s Drill scene, calling it “the worst rap genre of all time.” Known for his lyrical prowess and influence on the New York rap scene, Jadakiss hasn’t been one to shy away from honest opinions, but his blunt criticism of Drill—a genre that has captivated young fans across the world—has sparked strong reactions.

Jadakiss said he thinks Drill is the worst rap genre of all time. pic.twitter.com/qHgsSR37DI— SAY CHEESE! 👄🧀 (@SaycheeseDGTL) October 24, 2024

Speaking on the topic, Jadakiss expressed concerns that Drill’s intense focus on violence and gritty storytelling paints a negative image of the culture. He argued that while Drill is “entertaining and catchy,” its subject matter could be doing more harm than good for younger listeners, especially those from the very neighborhoods where Drill originated.

“It’s tough,” he said, “because I know these kids are talented and have something to say, but Drill can glorify a lifestyle that comes with consequences.”

Drill, which emerged in Chicago before gaining massive traction in New York, has a raw, confrontational style that frequently reflects the struggles of inner-city life. Since its rise in the early 2020s, New York Drill has produced major artists like Pop Smoke, Fivio Foreign, and Sheff G, with tracks blending dark beats and rapid-fire lyrics that often delve into violence, street life, and retaliation.

For Jadakiss, the concern isn’t just about Drill as a music genre but about its cultural impact. He pointed out that in past eras of hip-hop, even though the music often portrayed gritty realities, there was also an emphasis on overcoming adversity and community unity.

“I came up with rap as a way to tell my story,” Jadakiss explained. “We had street stories, but there was a message—a way to lift up the community or offer another perspective.”

Despite his criticisms, Jadakiss admitted that Drill has undeniably brought a fresh wave of energy and talent to New York. But as a longtime veteran, he’s challenging Drill’s current direction, urging young artists to use their platform to create balance and evolve.

“If Drill artists could start talking about different things, maybe they’d get even more respect. I’m not saying to erase their story—just to elevate it.”

In a genre that prides itself on honesty and authenticity, Jadakiss’s comments have sparked a larger conversation about Drill’s role in the future of hip-hop. Fans and artists are divided, with some defending Drill as a genuine reflection of their lives, while others agree that it could use more diversity in storytelling. Whether Jadakiss’s comments will inspire any change remains to be seen, but the dialogue highlights the ongoing debate over art, influence, and responsibility in hip-hop culture.